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| Accardo, Salvatore Italian b 26.09.1941 Turin | V | - | 1742 | Montagnana, Domenico | |||||
|---|---|---|---|---|---|---|---|---|---|
| V | Cannone | 1742 | Guarn. d. G. | ||||||
| V | Firebird | 1718 | Strad., A. | ||||||
| V | Hart | 1727 | Strad., A. | ||||||
| V | ex Reiffenberg | 1717 | Strad., A. | ||||||
| V | Reynier | 1727 | Strad., A. | ||||||
| V | Zahn | 1719 | Strad., A. | ||||||
| Remarks: Accardo played Paganini's Cannone for a recording of the label Dynamic. | |||||||||
Teachers:Dedicated works: | |||||||||
| Almond, Frank ? b ??.??.???? | V | Dushkin | 1701 | Strad., A. |
|---|---|---|---|---|
| Remarks: Frank Almond has been given this instrument on loan through the Stradivari Society, Chicago. | ||||
| Altenburger, Christian Austrian b 07.09.1957 Heidelberg | V | - | 1680 | Strad., A. |
|---|---|---|---|---|
| Remarks: | ||||
Teachers: | ||||
| Altman, Julian US-American b ??.??.???? d 12.08.1985 Connecticut | V | Gibson ex Hubermann | 1713 | Strad., A. |
|---|---|---|---|---|
| Remarks: Julian Altman was a café violinist who is said to have stolen Hubermann this instrument from his dressing room at Carnegie Hall while Hubermann was performing on his Guarneri del Gesú. After his death in a correctional facility in Connecticut his widow gave in court contradictory versions of the theft. Altman, who played on the Gibson for nearly 50 years, was in prision not due to the theft but due to sexual abuse of his wife's grandchild. | ||||
| Amoyal, Pierre French b 22.06.1949 Paris | V | ex Kochanski | ? | Strad., A. |
|---|---|---|---|---|
| V | Milanollo | 1728 | Strad., A. | |
| Remarks: The ex Kochanski was stolen 1987. It reappeared 1991 in Torino. Meanwhile Amoyal had bought 1990 the Minaloto from Christian Ferras. | ||||
| Arányi, Jelly d` English/Hungarian b 30.05.1893 Budapest d 30.03.1966 Florence | V | - | - | Bergonzi, Carlo | |||||
|---|---|---|---|---|---|---|---|---|---|
| Remarks: Jelly d'Arányi was a grand-niece of Joseph Joachim and a sister of Adila Fachiri. Holst's Double Concerto is dedicated to both sisters. | |||||||||
Teachers:Dedicated works: | |||||||||
| Auer, Leopold Hungarian b 07.06.1845 Vezprém d 17.07.1930 Dresden-Loschwitz | V | Auer | 1690 | Strad., A. |
|---|---|---|---|---|
| V | Auer | 1691 | Strad., A. | |
| V | Parke | 1711 | Strad., A. | |
| Remarks: Leopold Auer, as a teacher and player, is considered to have been a successor of Joseph Joachim . | ||||
Teachers:
Pupils:
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Dedicated works: | ||||
| Ayo, Félix Italian/Spanish b 01.07.1933 Sestao | V | - | 1768 | Gagliano, G. |
|---|---|---|---|---|
| Remarks: - | ||||
| Baillot, Pierre French b 01.10.1771 Passy d 15.09.1842 Paris | V | Baillot-Pommerau | 1694 | Strad., A. |
|---|---|---|---|---|
| V | Kathleen Parlow | 1735 | Guarn. d. G. | |
| V | Thibaud | 1709 | Strad., A. | |
| Remarks: | ||||
| Barton, Rachel US-American b 11.10.1974 Chicago | V | ex Elphinstone | 1684 | Strad., A. |
|---|---|---|---|---|
| V | ex Lobkowicz | 1617 | Amati, A. & G. | |
| V | Lord Coke | 1744 | Guarn. d. G. | |
| V | ex Soldat-Roeger | 1742 | Guarn. d. G. | |
| Remarks: Ms. Barton played upon the ex Lobkowicz on loan from the Stradivari Society of Chicago through Bein & Fushi, Inc. She plays the ex-Lord Coke on loan of the Fazenda Ipiranga, Guaranesia/MG, Brasil. | ||||
Teachers: | ||||
| Becker, Hugo German b 13.02.1863 Strassbourg d 30.07.1941 Geiselgasteig | C | Becker | 1719 | Strad., A. |
|---|---|---|---|---|
| Remarks: Becker was Robert Hausmann's successor at the Hochschule für Musik Berlin. | ||||
Teachers:
Pupils:
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| Bell, Joshua US-American b 09.12.1967 Bloomington, Indiana | V | - | 1726 | Strad., A. |
|---|---|---|---|---|
| V | Gibson ex Hubermann | 1713 | Strad., A. | |
| V | Tom Taylor | 1732 | Strad., A. | |
| V | Tom Taylor | 1732 | Strad., A. | |
| Remarks:
On the Tom Taylor he says: '...It's a little more robust, maybe a tiny bit less refined than the 1720s Golden Period instruments. I find it somewhere between a Strad and Guarneri in sound quality, which is ideal for me, so I really fell in love with it. I sold my previous instrument which was a very unusual guitar shaped Strad. Even after five years I feel I'm getting more out of this one each year' | ||||
Dedicated works: | ||||
| Bianchi, Luigi Alberto ? b ??.??.???? | V | Falmouth | 1692 | Strad., A. |
|---|---|---|---|---|
| V | ex Nachez | 1709 | Strad., A. | |
| Remarks: - | ||||
| Blacher, Kolja German b 15.01.1963 Berlin | V | Tritton | 1730 | Strad., A. |
|---|---|---|---|---|
| Remarks: | ||||
Teachers: | ||||
| Boccherini, Luigi Italian b 19.02.1743 d 28.05.1805 Madrid | C | Romberg | 1711 | Strad., A. |
|---|---|---|---|---|
| Remarks: | ||||
Teachers: | ||||
| Bott, Jean-Joseph German/American b ??.??.???? | V | Duke of Cambridge | 1715 | Strad., A. |
|---|---|---|---|---|
| Remarks: - | ||||
| Brosa, Antonio Spanish b 17.06.1894 Caronja d 23.03.1979 Barcelona | V | Vesuvius | 1727 | Strad., A. |
|---|---|---|---|---|
| Remarks: - | ||||
| Brown, Iona English b ??.??.???? Salisbury | V | Booth | 1716 | Strad., A. | |||||
|---|---|---|---|---|---|---|---|---|---|
| Remarks: - | |||||||||
Teachers:Dedicated works: | |||||||||
| Bull, Ole Norwegian b 05.02.1810 Bergen d 17.08.1880 Lysř nearby Bergen | V | Ole Bull | 1677 | Strad., A. |
|---|---|---|---|---|
| V | Telaki | 1690 | Strad., A. | |
| Remarks: His complete name was Ole Bornemann Bull. | ||||
| Busch, Adolf Swiss/German b 08.08.1891 Siegen d 09.06.1952 Guilford (USA) | V | Wiener | 1732 | Strad., A. |
|---|---|---|---|---|
| Remarks: - | ||||
| Bylsma, Anner Dutch b 17.02.1935 Den Haag | C | - | 1695 | Goffriller |
|---|---|---|---|---|
| C | - | 1835 | Pressenda | |
| C | Servais | 1701 | Strad., A. | |
| Remarks: - | ||||
| Campoli, Alfredo English/Italian b 20.10.1906 Rome d 27.03.1991 London | V | Baillot-Pommerau | 1694 | Strad., A. |
|---|---|---|---|---|
| V | Dragonetti | 1700 | Strad., A. | |
| Remarks: - | ||||
Dedicated works: | ||||
| Cappelletti, Andrea Italian b ??.??.???? | V | - | 1690 | Guarneri |
|---|---|---|---|---|
| V | Holroyd | 1727 | Strad., A. | |
| Remarks: Cappelletti about his Holroyd Strad: "As soon as I played the Holroyd I knew it was my violin. When you play it, there's something very special about it, and some of the tones you produce are quite unexpected". | ||||
| Carmirelli, Pina Italian b 23.01.1914 Varzi | V | Tuscan | 1690 | Strad., A. |
|---|---|---|---|---|
| Remarks: The Tuscan is property of the italian goverment. | ||||
| Cartier, Jean Baptiste French b ??.??.1765 Avignon d ??.??.1841 Paris | V | Cathédrale | 1707 | Strad., A. |
|---|---|---|---|---|
| Remarks:
Cartier was a pupil of Viotti, on whose recommendation he had attained the post of accompanist of Marie-Antoinette. From 1791 until 1821 he was assistent leader of the Paris Opéra Orchestra and from 1804 until 1830 member of the Court Orchestra. He gave the name Cathédrale to his instrument. | ||||
Teachers: | ||||
| Casals, Pablo Spanish b 29.12.1876 Vendrell d 22.10.1973 San Juan | C | - | ? | Goffriller |
|---|---|---|---|---|
| Remarks: - | ||||
| Cassadó, Gaspar Spanish b 30.09.1897 Barcelona d 24.12.1966 Madrid | C | - | 1709 | Strad., A. |
|---|---|---|---|---|
| Remarks: - | ||||
| Caussé, Gerard French b 26.06.1948 Toulouse | Va | - | 1570 | da Salo, Gasparo |
|---|---|---|---|---|
| Remarks: - | ||||
| Chee-Yun Korean b ??.??.???? | V | - | 1669 | Ruggieri, Francesco |
|---|---|---|---|---|
| Remarks: Chee-Yun uses Thomastik Dominat strings. | ||||
| Chevillard, Pierre Belgian b 15.01.1811 Anvers d 20.12.1877 Paris | C | King of Portugal,ex Chevillard | 1725 | Strad., A. |
|---|---|---|---|---|
| Remarks: Chevillard was one of Delphin Alard's quartet partners. | ||||
| Chung, Kyung-Wha Korean b 26.03.1948 Seoul | V | Harrison | 1693 | Strad., A. |
|---|---|---|---|---|
| V | ex Kubelik | 1735 | Guarn. d. G. | |
| Remarks: | ||||
Teachers: | ||||
| Chung, Myung-Wha US-American/Korean b 19.03.1944 Seoul | C | Braga | 1731 | Strad., A. |
|---|---|---|---|---|
| Remarks: - | ||||
| Cristiani, Lisa French b ??.??.1827 Paris d ??.??.1853 Tobolsk, Siberia | Unknown | |||
|---|---|---|---|---|
| Remarks: | ||||
Dedicated works: | ||||
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