???
    Vuillaume, J. B.
    Heermann - Frankfurt
    Graginger
    Saasoon, Sir Philip
    Stoutzker, Ian (1970)
    Wexler, Max
    Wells, John (1978)

-

    ???

-

    ???
    Elman, Mischa

-

    ???
    Reade, Charles
    Hill & Sons - London
    ???
    Broad, Mr. - Bristol
    Hill & Sons - London
    Boyd, Mr. J. L. - Edinburgh
    Beare & Sons
    Bower, R. A.
    Sammons, Albert
    Doctor - India
    ???
    Hayes, Peter - San Francisco
    Passa, Frank - San Francisco
    ???

[73] p 44

    ???
    Grand Duke San Lorenzo - Spain
    ???
    Hamma
    Talbot, Dr. George - Aachen
    ???
     •   Garrett, David

[73]

David Garrett plays on this instrument, which has been loaned to him.

    ???
    Szeryng, Henryk
    Mexican State

-

    ???
    Adam, John (1881)
     •   Kubelik, Jan
    Hamma & Co.
    ???
    Berkowsky
    ???
    Gitlis, Ivry

The Sancy was used by Kubelik in his early career while being in the collection of John Adam.
Hamma sold it to somebody, who presented it to Berkowsky.[73]

    ???
    Salabue, Count Cozio ¹
    Paganini, Nicolo - Genua (1817) ¹
    Paganini, Achilles - Genua (1840) ¹
    Vuillaume, J. B. - Paris ¹
    Sarasate, Pablo de (1864) ¹
     •  

1. According to one version of this instrument's history Sarasate acquired it from Vuillaume.
2. According to Doring it was presented to Sarasate by the Queen Isabella II when he was 10 years old.

[73] p 74; [41] p 255; [9] p 100

    ???
    Gand - Paris
    Sasserno, M. - France (1845)
    ???
    Laurie, David - Glasgow (1884) ¹
    ???
    Johnson, David (1887) ²
    ??? (1894)
    ???
    Hill - London
    ???
    Phipps, Mr. (1900)
    ???
    English lady (1906) ³
    Nippon Music Foundation - Japan (1999)
     •   Hagner, Viviane (1999)

1. Laurie was a collector.
2. Johnson was an amateur player, also owner of the Samazeuilh 1717 Strad.
3. This instrument remained 93 years in the possession of the English lady's family until it was acquired by the Nippon Music Foundation.

[73] p 64; [41] p 213; [60] p 733; [112], Oct 4, 2001

    ???
    Sauret
    ???
    Norton, Ralph H.
    ???
    Perlman, Itzhak (about 1988)
    ???

This instrument is said to be of the 1740 period. [77] p 102; [48]

    ???
    Scotta, Frida
    ???
    Herrmann, Emil - New York
    Kempner, Barbara
     •   Marlboro Music Festival
         •   St. John, Scott
         •   ???

This instrument belonged to the Danish violinist Frida Schytte, who used the professional name Frida Scotta. Mrs. Kempner, its most recient owner, loaned it to be administered by the Marlboro Music Festival. [73] p 51 and [160]

    Hämmerle, Theodor - Vienna

1692 could be the right date instead of 1672. [73] p 20

    ???
    Lady of Chicago (incognito)
     •   Stradivari Society - Chicago
         •   Josefowicz, Leila
         •   Chang, Sarah
         •   Kwong, Yoon Kyung
         •   Znaider, Nikolaj

Leila Josefowicz, Sarah Chang, Yoon Kyung Kwong and Nikolaj Znaider got the ex Sennhauser on loan through the Stradivari Society being the lady of Chicago the instrument's owner and patron. [163]; [139]

    ???
    USSR State Collection
    Oistrakh, David - Moscow
    ???

[2]

    ???
    Vuillaume, J.B. (1845)
    Princess Youssopoff
    Servais, Adrien Francois
    Hill & Sons - London (1893)
    Prince de Caraman-Chimay (1895)
    ???
    Smithsonian Institution's Museum (1981)
     •   Bylsma, Anner

The Prince de Caraman-Chimay was a friend and pupil of Servais.
Anner Bylsma belongs to the group of performers who regularly play on the instruments of the Smithsonian Institution's Museum.
[145] and [73] p 93

    Iselin, Adrian
    Sinsheimer, Bernard
    Beckitt, Mrs.
    ???
    Perlman, Itzhak

-

    Family von Boeselager, Germany (1720)
    Boeselager, Baroness Wilma von (c 1900)
    Zurich concertmaster (1990)
    Landeskreditbank Baden-Württemberg
     •   Faust, Isabelle

This instrument seems to be not from 1720 but from 1704 due to the similarity with the Betts Strad. Perhaps the master finished it shortly before selling it. It is one of twelve instruments, which still have their original necks.
1720 it was bought by the German noble family von Boeselager, who seems to have put it soon in the attic of their castle, where it remained forgotten for more than a century, as the Sleeping Beauty did.
The Baroness Wilma von Boeselager found it at the end of the 19th century and played it until the beginning of WW I, when she brought it into a bank vault. It stayed there until 1990, when it was loaned to a Zurich concertmaster.
1995 Isabelle Faust came accross it, fell in love with it and persuaded the Landeskreditbank Baden-Württemberg to buy it for her. [179]

    ???
    Hamma & Co.
    ???
    Ware, Helen
    ???

Helen Ware was a well known American lady violinist. [73] p 23

    ???
    Soil, Monsieur (1902)
    ???
    Bondy, Oscar - Vienna
    ???
    Menuhin, Lord Yehudi (1950)
    Perlman, Itzhak (1986)

-

    ???
    Wittgenstein family
    Soldat-Roeger, Marie
    ???
    Barton, Rachel (2002)

This instrument was lent to Ms Soldat-Roeger by the Wittgenstein family.

Ms. Barton recorded using this instrument the violin concertos by Brahms and Joachim in July 2002 with the Chicago Symphony Orchestra conducted by Carlos Kalmar (CDR 900000 068).

[124]; [6]

    ???
    Tarisio (1825)
    Miremont
    Nagornof (1870)
    Laurie, David (1879)
    Count de Saint-Senoch
    White, Josef - Paris (1886)
    Wannamaker, Rodman - New York (1925)
    ???
    Herrmann, Emil
    Reuther, Dr. - Markneukirchen (1959)
    ???
    Zimbalist, Efrem

This is assumed to be the last instrument made by Antonio Stradivari. [73] p 87

    ???
    Governor General of Cadiz (1780-1800)
    Duke of Cambridge
    Hill & Sons - London
    Partello, Dwight J. - Washington (1895)
    Lyon & Healy - Chicago
    Herrmann, Emil
    Warburg family
    ???

Being in the possession of the Cádiz Governor General this instrument seems to have been repaired in that city about the year 1800 by one José Benedict. This instrument was also played by a member of the Stradivarius Quartet. [73] p 73, [60] p 735, [125] and [97]

    ???
    Pixis
    ???
    Spiering, Mr. T.
    ???

[77] p 78

    ???
    Vuillaume
    Merighi
    Paganini, Nicolo
    Grümmer, Paul

-

    ???
    Hart & Son - London
    Posner, Nathan (1925)
    Stephens, Albert. E - Springfield, MA (1928)
    ???
    Wurlitzer
    Schneider, Theophile (1930)
    Herrman, Emil
    Backwin, Dr. Harry
    ???
    Puttick & Simpson's - London
    Mr. Black (1956)
    ???
    Sotheby's - London (1987)
    ???

[73] p 27; [159]

    ???
    Finch, Mr. Chas.
    Stretton, Mrs.
    ???
    Arnold, Albert (1945)
    Lustgarten, Dr. Charles (1947)
    Hottinger, Henry - Darien/Connecticut
    Wurlitzer, Rembert (1965)
    Perera, Charles A.
    Stern, Albert
    Oliveira, Elmar (1992)
    ???

[11] p 44

    ???
    Lord Holden
    Bonamy-Dobree, Mr.
    ???
    Suggia, Guilhermina
    Royal Academy of Music - London (1950)
    Kurtz, Edmund (1950)
    ???

[73] p 96

    ???
    Suk, Josef
    ???

[73] p 22

    ???
    Leopold II
    Viotti
    ???
    Bull, Ole
    ???
    Wagner
    ???
    Count Telaki (1899)
    National Museum at Budapest (1899)
    ???

This instrument is said to have been presented to Viotti by Leopold II. It has the name of Wagner stamped on it and was eventually presented by Telaki to the National Museum at Budapest.

[73] p28

    ???

-

    ???
    Baillot, Pierre
    ???
    Sauzey, Eugène
    ???
    Thibaud, Jacques

This originally nameless instrument was destroyed in the airplane crash, in which Thibaud died in 1953. It deserves to be named after his very last owner. [118], p 729; [73], p 50

    ???
    Grumiaux, Arthur

-

    ???
    Comte E'Evry
    Comte de Sauzay
    Gand et Bernardel
    Baker, William (1872)
    Caressa, Albert
    ???
    Remenyi
    Amateur player - Paris
    Zimbalist, Efrem (1922)
    Warburg, Felix M. (1926)
    Wurlitzer Collection
    Grumiaux, Arthur
    Mehlman, Samuel (1965)
    ???

The Titian was given his name by Albert Caressa, who was a dealer in Paris. It was also played by a member of the Stradivarius Quartet. [171] and [125]

    ???
    Atkinson, Dr. D.
    ???
    Camidge, Dr. John - York
    Flower, Rev. William - York (1837) ¹
    Taylor, Tom ¹
    Taylor, Laura ²
    Taylor, Lucy (1905)
    A German (name unknown)
    Hammig - Berlin
    Lachmann, Erich (1927)
    Wurlitzer, New York (1928)
    Gordon, Jacques (1930) ³
    ???
    Wurlitzer, New York
    Metz, Albert F.
     •   Travers, Patricia (1949) ⁴
    ???
    Stradivari Society (1991) ⁵
     •   Bell, Joshua (1991) ⁵
    Bell, Joshua ⁵
    Collector (2001)
     •   ??? Young performer

1. Tom Taylor was the grandson of Rev. Flower.
2. Mrs. Taylor, née Laura Wilson Barker, played this instrument often with Paganini and Spohr.
3. Gordon Jacques was leader of the Chicago Symphony Orchestra.
4. Patricia Travers was an American violinist.
5. Bell played upon the Tom Taylor on loan from the Stradivari Society until he purchased the instrument. In 2001 he sold it in order to purchase the Gibson, ex Huberman.

[73], p 83; [41], p 315; [189]

    ???
    Hoelscher, Ulf
    ???
    Blacher, Kolja

[119] pp 79, 356

    ???
    Tullaye, Vicomtesse de la
    Le Boulet - Versailles
    Hill and Sons - London (1897)
    Nairn, Mr. (1898)
    ???
    Beare, J. and A. - London
    ???
    Bein & Fushi - Chicago
    Köstler, Hieronymus - Stuttgart
    Landeskreditbank Baden-Württemberg - Karlsruhe

[78] p 304; [9] p 34

    Marquis Ariberti
    Cosimo III de Medici (until 1734)
    Moseli, G. F. - Florence
    Kerr, David - Portavo, Ireland (1794)
    Ricardo, F. - Paris (1876)
    Hill & Sons - London (1888)
    Brandt, R. E. (1890)
    Oldham, Sir Charles - Brighton (1904)
    Smith, F. (1908)
    Bennet, Richard (1918)
    Kemp, G. (1933)
    Hill & Sons - London (1940)
    Rose, Eric H.
    Hill & Sons - London
    National Academy of St. Cecilia - Rome (1953)
     •   Vito, Gioconda de
     •   Carmirelli, Pina

This instrument is one of 5 which were ordered by the Marquis Ariberti 1684 as a present for Prince Ferdinand, the son of the 'Grand Duke of Tuscany'.
Due to his great interest in Gioconda de Vito Mussolini intended to purchase this instrument for her and put aside a large sum of money. It was however not bought until 1953 when the National Academy of St. Cecilia, Rome, bought it on behalf of the Italian goverment and loaned it to Gioconda de Vito, later to Pina Carmirelli. [73], p 26, [119] p 130 and [9] p 70

    ???
    USSR State Collection
    Oistrakh, David - Moscow
    ???

[2]