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| MacDonald | 1701 | Strad., A. | Va |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: This instrument was also played by a member of the Stradivarius Quartet. | |||
| Mackenzie | 1685 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks:
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| Madame Bastard | 1683 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: A certificate made by Hill in 1923 states this instrument as being from the period 1675-80. Mr. Stad was founder director of the American Society of the Ancient Instruments. | |||
| Madame Récamier | 1717 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: - | |||
| Madrileño | 1720 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: Played by Ruggiero Ricci in the recording 'The Glory of Cremona'. | |||
| Mahler | 1672 | Strad., A. | Va |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: | |||
| ex Maia Bang | 1694 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: | |||
| Malakov | 1713 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: | |||
| Mara | 1711 | Strad., A. | C |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: Mr. Mara was the husband of the celebrated singer Madame Mara. | |||
| Markevitch | 1709 | Strad., A. | C | ||||||||||||
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This instrument's names in literature:
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| Marquis Doria | 1685 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: This instrument is similar in appearance to the Jean Becker. | |||
| Marquis de Corberon | 1726 | Strad., A. | C | |||
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This instrument's names in literature:
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Owners/players/dealers in chronological order: ??? | ||||||
| Remarks: Mr. Grünberg and Ms. Nelsova loaned this instrument by the RAM. | ||||||
| Marsick | 1705 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: Goodkind states also Baumgartner, Delgay, E. Fran¢ais, Perilhou, Vatelot, Vormbaum and Wilmotte as past owners. | |||
| ex Marteau | 1709 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: Illustrated in the Strad 1908. | |||
| ex Marteau | 1731 | Guarn. d. G. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: | |||
| Martinelli | 1683 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks:
Goodkind states also Hertel as former owner. | |||
| Marylebone | 1688 | Strad., A. | C |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: Axelrod has lent since 1986 this instrument as part of a set of ornamented instruments to the Smithsonian Museum. | |||
| Maurin | 1718 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: - | |||
| Maurin, Rubinoff | 1731 | Strad., A. | V | ||||||
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This instrument's names in literature:
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Owners/players/dealers in chronological order: ??? | |||||||||
| Remarks:
Goodkind states also Romanoff as owner, probably meaning the Russian Czar family to whom this instrument is said to have belonged in the past. Rubinoff named the instrument therefore Romanoff. | |||||||||
| Max Joseph | 1685 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: This instrument bears the brand of the former King of Bavaria, Maximilian Joseph. | |||
| Max Rostal | 1697 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: Illustrated in the Strad 1947. | |||
| Medici | 1690 | Strad., A. | Va |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: Prince Ferdinand was the son of the Grand Duke Cosimo III de Medici | |||
| Mercur-Avery | 1688 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: - | |||
| Mercure | 1688 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: Mougenot was a violin maker. This instrument is also called Avery. | |||
| Messie | 1716 | Strad., A. | V |
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Owners/players/dealers in chronological order: Stradivari, Francesco and Paolo | |||
| Remarks: Stradivari's favourite instrument, he never parted with, was also called Salabue. Luigi Tarisio, a famous collector purchased and kept it hidden from the world until his death. As people heard from this hidden instrument, they doubted its existence. One day Delphin Alard expressed his opinion that this instrument was like the Messiah, from wich you heard about but which can not be seen. Alard's remark gave the instrument his name. Later the instrument was aquired by Vuillaume, who retained it until his death, passing it to Alard, who was his son-in-law. Hill & Sons presented it to the Ashmolean Museum Oxford, where it has to be kept for ever in a special prepared room. This instrument was illustrated in the Juni 1894 and December 1931 issues of "The Strad Magazine". | |||
| Michelangelo | 1718 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: - | |||
| Milanollo | 1728 | Strad., A. | V | ||||||
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| Remarks: Dragonetti probably purchased this instrument for Viotti. In his last will he bequeathed it to Teresa Milanollo. | |||||||||
| Mlynarski | 1718 | Strad., A. | V | |||
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Owners/players/dealers in chronological order: ??? | ||||||
| Remarks:
Goodkind states also Bertolini and Wurlitzer as past owners. | ||||||
| Monasterio | 1719 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: Played by Ruggiero Ricci in the recording 'The Glory of Cremona'. | |||
| Montbel | 1703 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: Goodkind also states - unforutnately in alphabetical not chronological order - Deutsche Bank, Kessler, Steinthal and Wurlitzer as owners. | |||
| Muir-Mackenzie | 1694 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks:
[60] p 728
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| ex Muntz | 1736 | Guarn. d. G. | V |
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| Owners/players/dealers in chronological order: | |||
| Remarks: - | |||
| Muntz | 1736 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: - | |||
| ex Nachez, ex Gillot | 1686 | Strad., A. | V | |||
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This instrument's names in literature:
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Owners/players/dealers in chronological order: ??? | ||||||
| Remarks:
Goodkind states also Fradkin as former owner. | ||||||
| ex Nachez | 1709 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: Goodkind states also Castelbarco as formerly owner. | |||
| Nadaud, Kuhlenkampff | 1734 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: This instrument is thought to have been brought to Paris by Tarisio. Nadaud was its first recorded owner. | |||
| Nova | 1707 | Guarneri | C |
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| Owners/players/dealers in chronological order: | |||
| Remarks: - | |||
| Oistrakh | ? | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: - | |||
| Ole Bull | 1677 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: Bull named this instrument Spanish probably because he confused it with similar, ornamented instruments made for the Spanish Court. The label has often been mis-read as 1688. W. Henley dates it as 1687 as well as Peter Ruhe in his article 'Preservation or incarceration?' in The Strad issue of November 1997. | |||
| Oliveira | 1692 | Strad., A. | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks: | |||
| ex Ostwald | 1698 | Ruggieri, Francesco | V |
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Owners/players/dealers in chronological order: ??? | |||
| Remarks:
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