|
|
| Admiral Kasyerinov | 1699 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: | |||
| Alard | 1715 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: The Alard was owned by Baron Knoop and played by Delphin Alard, Professor at the Paris Conservatoire. | |||
| Allegretti | 1703 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: Felix Warburg acquired this instrument for the the Musical Art Quartet. | |||
| Alsager | 1703 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: Rousselot was a cellist and friend of Louis Napoleon. Alsager was a lover of chamber music and part owner of The Times. He purchased this instrument for use of players of his musicals. Notley was a banker. | |||
| Amatese | 1664 | Strad., A. | V | |||
|---|---|---|---|---|---|---|
This instrument's names in literature:
| ||||||
|
Owners/players/dealers in chronological order: ??? | ||||||
| Remarks: This is supposed to be the earliest dated violin of A. Stradivari. Goodkind states also Savage as past owner. | ||||||
| Amatese | 1668 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks:
| |||
| Ames | 1734 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks:
Goodkind states also Auer, Brown, von Donop, Gand, Geiser, Hamma, Hart, Herrmann, Meier, Phipps and de Tremont as past owners. | |||
| Aranyi | 1667 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: | |||
| Archinto | 1696 | Strad., A. | Va |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: Perhaps obtained Gambara's ancestors this instrument from Stradivari himself. Count Giuseppe Archinto was an amateur viola player and pupil of Alessandro Rolla, who dedicated him some duets for violin and viola. Archinto bought also the Archinto cello dated 1689 and violins of 1721 and 1696 and assembled a Quartett of Stradivari instruments. He died about 1860. The RAM came in posession of the Archinto viola due to the generous bequest of John Rutson, an amateur musician and later director of the Academy in 1890. Mr. Watson-Forbes and Mr. Gilbert was loaned this instrument by the RAM. | |||
| Arditi | 1689 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: Arditi was a well-known Milanese violinist. | |||
| ex Arma Senkrah | 1685 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: 'Senkrah' is the reversed name of the superb artist Harkness. | |||
| Artot | 1722 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: - | |||
| Auer | 1690 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks:
| |||
| Auer | 1691 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: | |||
| Axelrod | 1696 | Strad., A. | Va |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: Axelrod has lent since 1986 this instrument as part of a set of ornamented instruments to the Smithsonian Museum. | |||
| ex Aylesford | 1696 | Strad., A. | C |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: - | |||
| Baillot-Pommerau | 1694 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: This instrument of Stradivari's Brescian period (1690-1700) was offered in November 96 for sale. Marquis de Pommerau and his family owned this instrument until early in the 20th century. | |||
| Balakovic, ex Becker | 1732 | Guarn. d. G. | V | |||
|---|---|---|---|---|---|---|
This instrument's names in literature:
| ||||||
|
Owners/players/dealers in chronological order: ??? | ||||||
| Remarks: | ||||||
| ex Barbirolli | 1700 | Goffriller | C |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: - | |||
| ex Baron Knoop | 1698 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: | |||
| Baron Vita | 1734 | Guarn. d. G. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: - | |||
| ex Baron von Feilitzsch | 1734 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: - | |||
| Batta | 1714 | Strad., A. | C |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: This instrument was presented to Batta by Place, which in turn purchased it from Thibout. | |||
| Baudiot | 1725 | Strad., A. | C |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: | |||
| Baumgartner | 1689 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: This instrument has been loaned to the Canada Council for the Arts together with the Lyall Strad by the business person, which do not wish to be identifed, for a term of 2 years. Judy Kang winned the competition of the Canada Council for the loan of this instrument. | |||
| ex Bazzini | 1715 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: Maestro Antonio Bazzini was a celebrated violinist and composer. He retained it, as his favourite instrument, until his death. | |||
| Becker | 1719 | Strad., A. | C | |||
|---|---|---|---|---|---|---|
This instrument's names in literature:
| ||||||
|
Owners/players/dealers in chronological order: ??? | ||||||
| Remarks:
| ||||||
| ex Beckerath | 1720 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: - | |||
| Bennet | 1692 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: Hill and Sons discovered this instrument in an English cottage. | |||
| Berlin Hochschule | 1709 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks:
| |||
| ex Berou, ex Thibaud | 1714 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: | |||
| Betts | 1704 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks:
Goodkind states also St. Senoch, Vernon (2) and Woodcock as former owners. | |||
| Bingham | 1690 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: This instrument is supposed to have been made for the Duke of Tuscany. | |||
| Blanco, ex Armigaud | 1732 | Guarn. d. G. | V | |||
|---|---|---|---|---|---|---|
This instrument's names in literature:
| ||||||
|
Owners/players/dealers in chronological order: ??? | ||||||
| Remarks: | ||||||
| Boissier | 1713 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: Boissier and Negli were both violinists. | |||
| ex Bonjour | 1691 | Strad., A. | C |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: - | |||
| Booth | 1716 | Strad., A. | V | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
This instrument's names in literature:
| ||||||||||||
|
Owners/players/dealers in chronological order: ??? | ||||||||||||
| Remarks:
Goodkind states also Hottinger, Moennig and Rubinoff as former owners. | ||||||||||||
| Braga | 1731 | Strad., A. | C |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: - | |||
| Brancaccio | 1725 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: This instrument was repaired by Gagliano 1790. It remained in the noble family Brancaccio until 1896. Flesch passed the Brancaccio to his friend and private banker Mendelssohn as a payment to cover his debts arised as a consequence of the crisis of the New York Stock Exchange in 1929. Being in Mendelssohn's possession the Brancaccio was destroyed in Berlin during a bomb-raid in WW II. | |||
| Brookings | 1654 | Amati, Nicolá | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: Brooking was a prominent economist and amateur violin player. He bought this instrument in Europa on the advice of Joseph Joachim. | |||
| Brown, ex Heath | 1729 | Guarn. d. G. | V | |||
|---|---|---|---|---|---|---|
This instrument's names in literature:
| ||||||
|
Owners/players/dealers in chronological order: ??? | ||||||
| Remarks: This instrument is stated by Hill as being of the period 1726 - 30. | ||||||
| ex Brustlein | 1707 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: The ex Brustlein was named after an amateur Berlin musician. | |||
| Bucher | 1683 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: | |||
| ex Bückeburg | 1773 | Guadagnini, J. B. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: | |||
| Cabriac | 1696 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: | |||
| Cannone | 1742 | Guarn. d. G. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: This instrument is one of the few - perhaps only two - non Strads which were played by Oistrakh. | |||
| ex Captain Saville | 1667 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: - | |||
| Remarks: - | |||
| ex Carrodus | 1742 | Guarn. d. G. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: Rachlin plays this instrument on loan of the Austrian National Bank. | |||
| Cassavetti | 1727 | Strad., A. | Va | |||
|---|---|---|---|---|---|---|
This instrument's names in literature:
| ||||||
|
Owners/players/dealers in chronological order: ??? | ||||||
| Remarks:
[188] p 5; [60] p 723
| ||||||
| ex Castelbarco | 1685 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks:
[73] p 23
| |||
| Castelbarco | 1699 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks:
| |||
| Castelbarco | 1697 | Strad., A. | C | |||
|---|---|---|---|---|---|---|
This instrument's names in literature:
| ||||||
|
Owners/players/dealers in chronological order: ??? | ||||||
| Remarks:
Goodkind states also Wurlitzer as a former owner. | ||||||
| Cathédrale | 1707 | Strad., A. | V | |||
|---|---|---|---|---|---|---|
This instrument's names in literature:
| ||||||
|
Owners/players/dealers in chronological order: ??? | ||||||
| Remarks:
| ||||||
| Cessole | 1715 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: | |||
| Chapmann, ex Bennett | 1729 | Guarn. d. G. | V | |||
|---|---|---|---|---|---|---|
This instrument's names in literature:
| ||||||
|
Owners/players/dealers in chronological order: ??? | ||||||
| Remarks: | ||||||
| Charles IX | 1566 | Amati, Andrea | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: This instrument is part of a set of instruments made for the court of Charles IX of French. Only 4 of these instrument are actually existent. It shows part of the coat of arms of Charles X1 and his mother Catherine de Medici as well as part of their motto: 'Pietate et Justitia'. | |||
| Charles Reade | 1733 | Guarn. d. G. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: - | |||
| Cipriani Potter | 1683 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: This is the 3rd recorded example of ornamented Strads. | |||
| Cobbett, ex Downs | 1726 | Guarn. d. G. | V | |||
|---|---|---|---|---|---|---|
This instrument's names in literature:
| ||||||
|
Owners/players/dealers in chronological order: ??? | ||||||
| Remarks: This instrument is stated by Hill as being of the period 1726 - 30. | ||||||
| Cobbett, ex Holloway | 1683 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: Ms. Teschner-Tass was the leader of a quartet. | |||
| Colbertson, ex Carolina Ferni | 1732 | Guarn. d. G. | V | |||
|---|---|---|---|---|---|---|
This instrument's names in literature:
| ||||||
|
Owners/players/dealers in chronological order: ??? | ||||||
| Remarks: | ||||||
| Comte D'Armaille | 1737 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks:
[73] p 87; [41] p 341
| |||
| Constable | 1731 | Bergonzi, Carlo | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: Played by Ruggiero Ricci in the recording 'The Glory of Cremona'. + | |||
| Conte Doria | 1736 | Strad., Omobono | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: The Conte Doria came under the hammer on 15 November 95 at London's Christie's. | |||
| Conte di Fontana | 1702 | Strad., A. | V | ||||||
|---|---|---|---|---|---|---|---|---|---|
This instrument's names in literature:
| |||||||||
|
Owners/players/dealers in chronological order: ??? | |||||||||
| Remarks: Goodkind states also Bisiach, Ferrari, Foltzer and Vatelot as past owners. | |||||||||
| Countess Polignac | 1699 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: The Countess of Polignag was an arts patron at the court of Louis XIV. A mistress of Benjamin Franklin, at the time he was US ambassador to France, is said to have owned this instrument. | |||
| Cremonese ex Joachim | 1715 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: This instrument was purchased by the Cremonese Provincial Board of Tourism from Hill & Sons. | |||
| Cristiani | 1700 | Strad., A. | V |
|---|---|---|---|
|
Owners/players/dealers in chronological order: ??? | |||
| Remarks: | |||
| Cristofori XXVII/XXVIII ° | 1716 | Cristofori, Bartolomeo | C |
|---|---|---|---|
|
Owners/players/dealers in chronological order: Montepulciano, Venturi di | |||
| Remarks:
Born in Padua in 1655 he is said to have been a pupil of Nicoló Amati about 1680. Later on he went to Florence, where he worked under the patronage of Ferdinand De Medici. | |||
|
|